
FC-002Finish, clean and keep
Storing Small Bench Tools Between Jobs
Damp air dulls a polished graver face and rusts a file left in a drawer. How to store small bench tools so the edge survives between jobs.
Notes from the setting bench: what a tool is asked to do, and where it stops
Every entry on this bench takes one question about the small tools that seat, hold and finish fine work, and answers it: what a bezel roller does that a burnisher does not, why a graver is sharpened to a face angle rather than an edge angle, how a bench pin is set so a saw cuts where it is aimed, and which of these operations belongs to a trained bench. An entry is written from published standards, manufacturers' instructions and the trade literature, then filed under one of four work areas: setting the stone, the bench and its holding, edges and gravers, finish and keeping. Nothing here is for sale.

FC-002Finish, clean and keep
Damp air dulls a polished graver face and rusts a file left in a drawer. How to store small bench tools so the edge survives between jobs.

FC-001Finish, clean and keep
A tight shot of a graver cut shows the chip and the angle, not the pressure. How to light and edit bench video so the gesture stays legible.

BN-003The bench and its holding
Why boxwood, ash and oak behave differently in a handle: grain, density and wear at the grip, and where each species grows.

BN-001The bench and its holding
What a metals programme teaches in year one, what a weekend workshop can deliver, and how to check a course listing before you enrol.

BN-002The bench and its holding
Printed trade manuals, tool catalogues and school handbooks outlive the bench. How to find them, read a catalogue plate, and judge a secondhand copy.

EG-001Edges and gravers
How the engraver's burin and the jeweller's setting graver share a cutting geometry, why each lifts a burr, and where the two tools stop being interchangeable.
Bezels, prongs, channels and flush work: the punches, pushers, burnishers and millgrain wheels that put a stone into metal and keep it there.
Bench pegs and pins, clamps, vises, shellac and pitch: how small work is held still so the hands can do their part.

BN-003The bench and its holding
Why boxwood, ash and oak behave differently in a handle: grain, density and wear at the grip, and where each species grows.

BN-001The bench and its holding
What a metals programme teaches in year one, what a weekend workshop can deliver, and how to check a course listing before you enrol.

BN-002The bench and its holding
Printed trade manuals, tool catalogues and school handbooks outlive the bench. How to find them, read a catalogue plate, and judge a secondhand copy.
Gravers, scorpers and burins, the geometry of the cutting edge, and the stones and slips that bring it back.

EG-001Edges and gravers
How the engraver's burin and the jeweller's setting graver share a cutting geometry, why each lifts a burr, and where the two tools stop being interchangeable.
Burnishing, polishing, pickling and storage: what brings a surface up and what keeps a tool working next week.

FC-002Finish, clean and keep
Damp air dulls a polished graver face and rusts a file left in a drawer. How to store small bench tools so the edge survives between jobs.

FC-001Finish, clean and keep
A tight shot of a graver cut shows the chip and the angle, not the pressure. How to light and edit bench video so the gesture stays legible.
Desks kept elsewhere, each one read before it was listed here and each one named for what it holds.
For readers who want to see how engraved plates were drawn, printed and published, antique maps and atlases is kept as an English journal on the history of cartography and the folios that carry it.
For readers curious about where handle timber actually grows, a French forest magazine follows the oak and the underwood of a managed forest in the Allier and explains how a futaie is thinned.
For a reader looking for a class rather than a tool, arts school calendars lists the exhibitions, workshops and press notes of a university school of the arts in northern California.